MACHISMO
42x29,7cm, 96 pages, Offset, Orange and Silver Pantone, Stapled

Dreams & Thoughts, 2019
Artist editions, A5, 40 pag, digital print

TOMASO BINGA
Afose Poesie e... Afasie
Friday 7 June 2019 — 7:30pm
Villa Lontana

Tomaso Binga’s action of taking a man’s name happened at a time when radical art and experimental art exhibitions were basically the preserve of men. In fact, looking through the lists of exhibitions of European and American Conceptual art between the ‘60s and ‘70s, the numbers of women included are ludicrously small. Binga’s use of a male pseudonym parodies the cultural privileges reserved for men, but also ridicules it, by the fact of her inclusion.

Altri Colori
Multiple, A3, offset, 350gr uncoated paper

CESARE PIETROIUSTI
La Pagina Bianca
Performance by Cesare Pietroiusti and Giuseppe Garrera
Monday 8 July 2019 — 7:30pm
Circolo Canottieri Aniene, Salone sociale
Roma

Giuseppe Garrera’s reading of Cesare Pietroiusti's love poem La Pagina Bianca follows an esoteric analysis, it is intimate and embarrassingly masculine. It echoes the grand literary tradition of Petrarch and Leopardi. His is a philological reading, based on variants banned from schools and academic anthologies due to the use of sexually explicit language, so it remains to be transmitted orally and by clandestine means.

Nove Poesie (1976 – 2015)
Artist editions, 10,5x18cm, 20 pag, offset, 80gr uncoated paper

La Pagina Bianca (2012)
Artist edition, 35x35cm, offset, 350gr uncoated paper

OPEN AIR SCREENING
Comizi d'Amore (1965) by Pier Paolo Pasolini
Thursday 18 July 2019 — 7:30pm
Villa Lontana's garden

Made in 1965, Pier Paolo Pasolini’s feature length documentary film Comizi d’Amore presents Italians attitudes to sexual mores. Pasolini holds a microphone and speaks directly with working class and middle class people from the North and the South of Italy with different levels of education. The film begins when he asks children where babies come from. He questions women about their relations to men, and vice versa; whether they see themselves as equals, their views on homosexuality and heterosexuality, whether virginity matters, if divorce should be legalised and the brothels closed.

MACHISMO
42x29,7cm, 96 pages, Offset, Orange and Silver Pantone, Stapled

MICHAEL O'MAHONY
Saturday 25 May 2019 — 7:30pm
Villa Lontana

Dreams & Thoughts, 2019
Artist editions, A5, 40 pag, digital print

TOMASO BINGA
Afose Poesie e... Afasie
Friday 7 June 2019 — 7:30pm
Villa Lontana

Tomaso Binga’s action of taking a man’s name happened at a time when radical art and experimental art exhibitions were basically the preserve of men. In fact, looking through the lists of exhibitions of European and American Conceptual art between the ‘60s and ‘70s, the numbers of women included are ludicrously small. Binga’s use of a male pseudonym parodies the cultural privileges reserved for men, but also ridicules it, by the fact of her inclusion.

Altri Colori
Multiple, A3, offset, 350gr uncoated paper

CESARE PIETROIUSTI
La Pagina Bianca
Performance by Cesare Pietroiusti and Giuseppe Garrera
Monday 8 July 2019 — 7:30pm
Circolo Canottieri Aniene, Salone sociale
Roma

Giuseppe Garrera’s reading of Cesare Pietroiusti's love poem La Pagina Bianca follows an esoteric analysis, it is intimate and embarrassingly masculine. It echoes the grand literary tradition of Petrarch and Leopardi. His is a philological reading, based on variants banned from schools and academic anthologies due to the use of sexually explicit language, so it remains to be transmitted orally and by clandestine means.

Nove Poesie (1976 – 2015)
Artist edition, 10,5x18cm, 20 pag, offset, 80gr uncoated paper

La Pagina Bianca (2012)
Artist edition, 35x35cm, offset, 350gr uncoated paper

OPEN AIR SCREENING
Comizi d'Amore (1965) by Pier Paolo Pasolini
Thursday 18 July 2019 — 7:30pm
Villa Lontana's garden

Made in 1965, Pier Paolo Pasolini’s feature length documentary film Comizi d’Amore presents Italians attitudes to sexual mores. Pasolini holds a microphone and speaks directly with working class and middle class people from the North and the South of Italy with different levels of education. The film begins when he asks children where babies come from. He questions women about their relations to men, and vice versa; whether they see themselves as equals, their views on homosexuality and heterosexuality, whether virginity matters, if divorce should be legalised and the brothels closed.

Poster
70x100cm, offset, orange and silver pantone, glossy foil